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From 01 October 2023, the Official Journal is no longer a collation of acts with a table of contents. Each act is published

Having mentioned adverts, is there a picture in his mind when he writes? ‘No, but a lot of people come up to me and say they see images when they listen to my music – but I don’t. I don’t start with an image as some people do; I start at the piano’. the European Union, annual reports of the European Court of Auditors, statements from the European Economic and Social Committee With sustainability aside, we have also chosen to use cotton as one of our main materials as it is more soft, natural and breathable than synthetic materials such as acrylic and polyester. With the world ready for a feast of spectacular performances and recordings, old and new side by side, let’s meet some of the composers behind it all… Sir Karl Jenkins

The 2019/20 to 2021/22data was collected during the COVID-19 pandemic. Exceptional guidancewas issued to HE providers regarding a number of data fields within the collections to clarify HESA's expectations about how these fields should be treated in light of the pandemic. Her aims were to create a music that was singable and melodic, whose message was clear and concise. She was also well aware of the history of music for Coronations and the epic space of Westminster Abbey; ‘there weren’t a lot of restrictions really, it was just to make sure it felt appropriate to the service.’ How important is pressure as part of his creative process? ‘It’s the same kind of pressure whatever the commission. I used to write music for lots of commercials in the 1980s – good commercials shot by film directors like Ridley Scott, Alan Parker and Hugh Hudson, with high production values and good stories – and they were all deadlines. It had to be done by Thursday or whatever. To my mind, the great composers – Bach, Mozart, Beethoven – were jobbing composers; they wrote for the church or the court, so it wasn’t a question of inspiration floating around. It’s more a question of getting down to it, as I do. I fumble around on the piano and get some ideas going, retaining those I approve of and rejecting those I don’t; then a piece comes out of it.’ Another movement is based on the Welsh folk song ‘Tros Y Garreg’, and it is a new arrangement of this segment that will be included in the Coronation; the current Royal Harpist Alis Huws will join string players to perform it. ‘I’m an oddity in the whole programme because it’s a piece from the past,’ Jenkins tells me. ‘Catrin Finch’s mother-in-law was a harp teacher of some repute, and so I created a double harp concerto that premiered in Cardiff. It’s since been played worldwide quite often, and so Catrin and I decided to adapt the concerto for single harp and one movement. “Crossing the Stone” was all about a soldier returning home from war. It’s a very Welsh piece harmonically. It will be in a new form for 2023.’

We have created timeless pieces that can be worn for a long time rather than a wardrobe full of many different styles causing decision fatigue. Not only does it reduce textile waste, it reduces the carbon footprint that would have been expended in the production of new materials. Remanufactured clothing can save 13,000lbs of CO2 emissions a year. In relation to classifications of first degrees and other awards, many providers issued public statements that a 'no detriment' approach would be adopted when it came to assessment in 2019/20. This typicallyensured that students would be awarded a final grade no lower than themost recent provider assessment of their attainment. Jenkins’s music will be one of several important moments that fly the Welsh flag in the ceremony. ‘It’s the first time anything has been done at a Coronation with a Welsh connection like this, and there will be another piece in the service with a Welsh text [see Paul Mealor – below]. The new King was a strong Prince of Wales, interested in the principality; he’s fundamentally a good man who’s fun to talk to, not stiff-upper-lip. He’s a fan of many things, including Wagner – which I am too – and of the English musical canon of Elgar and Holst.’

A longstanding royal favourite, the Coronation is just one of several epic royal premieres enjoyed by this Grammy-nominated musician. She was the official composer, musical director and co-conductor of the Platinum Jubilee Celebration staged in the private grounds of Windsor Castle last May, which saw a 75-piece tri-service military orchestra joined by 100 bagpipers and drummers and a cast of thousands of humans and horses (and Tom Cruise, naturally). We are planning to extend our donations to Syria - families who have fled their home to escape the conflict and living conditions that are unbearable. You can find more information on the Official Journal of the European Union (structure, series, special editions, authenticity, Among the most performed of living composers, Jenkins has 17 gold and platinum discs to his name. The first Welsh composer to be knighted (this in 2015), many of his works have royal connections. The Armed Man: A Mass For Peace – which has had over 3000 performances globally in the last two decades – was originally commissioned by The Royal Armouries; his setting of Laurence Binyon’s For The Fallen was premiered at The Royal British Legion’s Festival of Remembrance in 2010, in the presence of the late Queen; to commemorate her Platinum Jubilee last year, he composed and conducted This Faithful Life, with a text by poet Grahame Davies. This month could very well present the single biggest and most eclectic presentation of British and Commonwealth new music in decades.

Sounds simple. So, was his Coronation commission an easy piece to write? ‘Yes and no. Yes, because the brief was very specific; I knew the length, I knew the words – ‘Lord have mercy, Christ have mercy, Lord have mercy’, set in Welsh – I knew the performers, who I’ve worked with before (Sir Bryn Terfel and the choirs), and I knew what role the piece would play within the service. That makes the composing easier. The difficulty with this piece was the end, because getting a conclusion that leads into words and prayers from the Archbishop of Canterbury – having to prepare the congregation for that next step – is difficult. You have to find an ending that is very subtle, gentle and lifts people to the presence of God.’ The Official Journal of the European Union is the official publication (gazette) for EU legal acts, other acts and official In contrast, Iain Farrington’s solo organ commission has been described as ‘joyful, jazzy and dance-like’, and will draw on musical themes from the 56 countries of the Commonwealth; these global musical travels continue with Greek Orthodox music, which will feature thanks to the Byzantine Chant Ensemble in a musical tribute to the King’s late father. Alongside the new will be pieces by Byrd, Walford Davies and Parry. individually as an authentic Official Journal in its PDF format. See more in this video with a transcript ​​

You have to find an ending that is very subtle, gentle and lifts people to the presence of God

For our oncoming collections, we will be committed to making environmentally conscious and ethical choices. We will also aim for 100% sustainable materials. We hope you can join us in the journey.