La Tristesse Durera (Scream to a Sigh)

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Gold Against the Soul saw the band experiment with styles including funk and grunge. [1] [2] The album's lyrical themes owed little to the political and social commentaries of its predecessor, and instead explored more personal themes of depression, melancholy and nostalgia. [3] Recording [ edit ]

a b Jovanovic, Rob (2010). A Version of Reason: The Search for Richey Edwards. Hachette UK. ISBN 9781409111290. Gold Against the Soul Deluxe Re-Issue". Manic Street Preachers. 11 March 2020 . Retrieved 27 June 2020. The sadness will last forever” Theo van Gogh. Letter to Elisabeth van Gogh. Written 5 August 1890 in Paris. Translated and edited by Robert Harrison.

For Sale on Discogs

Dimery, Robert (2011). 1001 Songs You Must Hear Before You Die. Octopus Publishing Group. ISBN 978-1-8440-3717-9.

Murray, Robin; James, Gareth; Diver, Mike (23 August 2013). "7 of the Best: Manic Street Preachers". Clash . Retrieved 3 July 2020. Doyle, Tom (June 1996). "Manic Street Preachers: Everything Must Go". Q. EMAP. p.116. Archived from the original on 21 April 2001 . Retrieved 23 August 2020.Simon Price of The Telegraph opined that the lyrics on Gold Against the Soul "switched from the political [of Generation Terrorists] to the personal". [5] The lyrical content is considerably less political than their previous album Generation Terrorists, and the album is more reflective of the despair and melancholy of their later work. [3] Van Gogh was at odds everywhere—in the church, in the artis­tic scene in Paris, in the com­mu­ni­ty of Arles, and also in Auvers-sur-Oise. In Auvers-sur-Oise, not every­thing was bad. He car­ried on a gen­tle romance with Gachet’s daugh­ter, felt tru­ly at home in Gustave’s Inn, and was so close to his broth­er Theo. Even if his attempt to belong was not always suc­cess­ful, there were moments of hap­pi­ness for Vin­cent, moments of peace. Did his sui­cide arise not from impulse, but rea­son? Did he calm­ly decide to put an end to his life? Or was there a per­son with whom he was in con­flict, even, per­haps, with his doc­tor Gachet, who envied his abil­i­ties and him­self led a failed artist’s life? For peo­ple with affec­tive dis­or­ders, it often doesn’t take a sharp trig­ger, a loud snap, to take the final step to the end. Even if Vin­cent did not shoot him­self, it was his deci­sion to sur­ren­der to death over the course of two days. “The sad­ness will last for­ev­er,” he con­fessed. 2 Posthu­mous psy­chi­atric diag­noses sur­round Vin­cent like a cloud—or per­haps even a cloak of pro­tec­tion. In his own time, he was diag­nosed with epilep­sy, schiz­o­phre­nia and sub­stance abuse, topped with a hunch of bor­der­line per­son­al­i­ty and bipo­lar dis­or­der assigned long after his life had elapsed. Mania might have encour­aged his urge to paint, but sad­ness and fear found their redemp­tion in his warm colour stud­ies. “[I]nstead of giv­ing in to despair I chose active melan­choly,” Vin­cent wrote. 1 The band stated that the choice to work with Dave Eringa again was important for this album: "We finished work in November and then just went straight into a demo studio and we came out about four weeks later with the album all finished. We were all happy with all the songs, we knew what they wanted to sound like, so we didn't want to use a mainstream producer because they've got their own sound and vision of what a record should be like. So we just phoned Dave up and said 'Look, come down, let's see how this works out', and everyone loved what we were doing, so we decided to stay with him." [3] La Tristesse Durera" (literally "the sadness will go on") is the title of a biography of Vincent van Gogh, although the song is not about him but about a war veteran. [6] Style and influences [ edit ]