Paisley Cotton Bandana 3 pack Red White Black

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Paisley bandanas are not only fashionable but also highly functional. They provide protection from the sun, wind, or dust, making them ideal for outdoor activities, festivals, or simply adding flair to everyday wear. In addition, the versatility of these bandanas allows them to seamlessly transition from casual to formal settings, making them a favorite accessory for individuals seeking a touch of individuality and flair in their style. The Prohibition Years, 1686–1759", Le Musée de l'Impression sur Etoffes[ The Museum of Printed Textiles], archived from the original on 21 February 2008 , retrieved 3 February 2008 . Paisley or paisley pattern is an ornamental textile design using the boteh ( Persian: بته) or buta, a teardrop-shaped motif with a curved upper end. Of Persian origin, paisley designs became popular in the West in the 18th and 19th centuries, following imports of post– Mughal Empire versions of the design from India, especially in the form of Kashmir shawls, and were then replicated locally. [1] Green bandanas have become a symbol of the abortion rights movement. [28] In other languages [ edit ] In Asia the paisley shawls were primarily worn by males often in formal or ceremonial contexts, but in Europe the shawls were primarily worn by women instead of men. While still holding an accurate resemblance to its original influence, the paisley design would begin to change once it began to be produced in western culture, with different towns in the United Kingdom applying their own spin to the design. [16] The peak period of paisley as a fashionable design ended in the 1870s, [17] perhaps as so many cheap versions were on the market.

The modern French words for paisley are boteh, cachemire (" cashmere"; not capitalized, which would mean " Kashmir, the region") and palme (" palm", which – along with the pine and the cypress – is one of the traditional botanical motifs thought to have influenced the shape of the paisley element as it is now known). [6] [29] [ failed verification] Boteh (Botteh, Paisley). Aryan Silk & Trade". www.heritageinstitute.com. Archived from the original on 24 May 2019 . Retrieved 4 June 2019. In various languages of Bangladesh, India and Pakistan, the design's name is related to the word for mango: [30]INDULEKHA» GREEN | colours: MANGO MANIA by Laurie Baker» 1". Archived from the original on 2 October 2008 . Retrieved 9 January 2016. From roughly 1800 to 1850, the weavers of the town of Paisley in Renfrewshire, Scotland, became the foremost producers of Paisley shawls. Unique additions to their hand-looms and Jacquard looms allowed them to work in five colours when most weavers were producing paisley using only two. [19] The design became known as the Paisley pattern. By 1860, Paisley could produce shawls with 15 colours, which was still only a quarter of the colors in the multicolour paisleys then still being imported from Kashmir. [19] Paisley Museum and Art Gallery", About Britain, archived from the original on 5 March 2008 , retrieved 3 February 2008 . The pattern is still commonly seen in Britain and other English-speaking countries on men's ties, waistcoats, and scarfs, and remains popular in other items of clothing and textiles in Iran and South and Central Asian countries.

While today some people associate bandanas with cowboys or Cholo culture, paisley bandanas were popular during the late 1700s and their popularity in the United States coincides with the American revolution. Snuff users liked colored and patterned handkerchiefs because they hid the tobacco stains when they blew their noses. [23] In the late 18th and early 19th centuries, paisley bandanas began to appear with political and military advertisements printed on them. [23] Such printed bandanas were common during the early and mid- 1900s when World War I and World War II were being fought. It was thought that by purchasing and sporting a pro-war paisley bandana the buyer was helping to support their country in winning the war. [ citation needed] The paisley bandana started to feature in Western movies and thus became a symbol of the American West. [ citation needed] a b Maskiell, Michelle (2002). "Consuming Kashmir: Shawls and Empires, 1500-2000". Journal of World History. 13: 27–65. doi: 10.1353/jwh.2002.0019. S2CID 144868279. Urdu and Punjabi: Kerii". 22 November 2010. Archived from the original on 24 June 2015 . Retrieved 24 June 2015.

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Paisley: The story of a classic bohemian print". Archived from the original on 27 May 2018 . Retrieved 31 May 2018. Zaman Niaz (1993). The Art of KANTHA Embroidery (Second Reviseded.). Dhaka, Bangladesh: The University Press Limited. p.82. ISBN 978-984-05-1228-7.